Swansea International Festival runs from the 22nd September to the 7th October this year. It has many interesting events, among them a stand up performance by Rob Bryden and a production of Gilbert and Sullivan’s “Iolanthe”.
The centrepiece of the Festival is a Welsh Commission for 14-18NOW called “Now The Hero” 14-18NOW have collaborated with various artists to make some very compelling pieces over the past few years, related to the centenary of the First World War. A particularly thought provoking event earlier this year was “Fly by Night” where thousands of pigeons with LED lights were released over the Thames at sunset.
“Now The Hero” is their final piece and it looks like another winner. It is an immersive musical/theatrical parade, starting in Swansea Bay and finishing with a choir recital in Brangwyn Hall in the city. It tells the story of three Welsh warriors from different time periods. There is an ancient Celtic soldier, a First World War conscript and a contemporary service man. There is also a voice for peace, with Eddie Ladd voicing quotes from protestors at Greenham Common’s women’s camp.
The music is a choral requiem written by Owen Morgan Roberts and Owen Sheers. It is based on a traditional old Welsh poem “Y Gododdin” and will be performed by Cambridge choir, Polyphony. Brangwyn Hall where the event finishes contains “The British Empire Panels” a work originally commissioned to be hung in the House of Lords but rejected by them as too colourful. It was notoriously described at the time by Lord Crawford as “all tits and bananas”, however almost a hundred years later it is regarded as a powerful commemoration of Welsh participation in the First World War.
This event will transform Swansea over the course of five days on 25th to 29th September and it looks as though it will be a spectacular highlight of the Swansea International Festival.
Other performances at the Festival are The BBC National Orchestra with Karl Jenkins and The Welsh National Opera doing “Rhondda Rips it Up” with Lesley Garrett and Madeline Shaw. So if you are looking for some art and culture at the end of September, Swansea is the place to be!
Duke Riley’s Fly by Night is an art event happening over three midsummer evenings in Thamesmead. It is part of LIFT 2018, which seems to get better each year. The installation itself consists of releasing 1500, racing and homing, pigeons, which have been fitted with LED leg tags, over the Thames at sunset.
The venue for this event is a little way out of Central London. Crossness Pumping Station is a Victorian sewage treatment plant in East Thamesmead and the viewing area is in the grounds of its beautiful Grade I listed building. Thoughtfully, the organisers have kept the building open late and a trip around the accompanying exhibition “The Big Stink” is a diverting start to the evening as we wait for the sun to set.
The location itself is attractive, in an unconventional way, factories and wind turbines face us on the opposite shore. On a good summer evening, watching the sun slowly sink into the urban skyline over the river has beauty of its own, even if, it is not one of the first places you would think to come. The anticipation rises as the sun sinks and slowly the first pigeons rise from their hotel/loft into the sky. They circle the area in small flocks, rising and swooping in the dying light. Gradually, as the evening closes in, the pigeons begin to gather flickering lights as the LEDs start to win the battle over sunlight. Slowly, and almost imperceptibly, over the course of the thirty minute flight, the pigeons fade into the night and all we see are the soaring and diving leg tags making patterns in the night sky.
Beautiful and surprisingly thought provoking.
LIFT 2018 is a festival of international performance, running at various venues around London from late May until early July. There is a wide choice of shows available and a huge variety of styles on show. There is a children’s show by renowned theatrical company Punchdrunk, where adults will not be granted admittance unless accompanied by a child. There is a South Korean Opera about the Trojan wars in Greece and there is even a piece of performance art that involves 1500 pigeons, with LED lit leg-rings, flying above the Thames.
Phobiarama is billed as an immersive theatre experience. This is certainly true, and I don’t wish to give too much away, as being unaware of what is about to happen adds to the thrill of the show. I would best describe it as a 21st century ghost ride with real actors, strobe lights and political overtones. Dries Verhoeven is a visual artist who has updated a 20th Century fairground ride into a paranoid, threatening 21st Century journey through political and popular culture. This show travels the world but each one is site specific, and this one has elements that apply particularly to London. I can say that it gives a feeling of drifting through a waking nightmare and I was reminded of film warnings that say “This show contains some scenes of mild horror”.
You are disorientated from entering the space in pitch blackness and the anxiety gradually racks up throughout the 45 minute performance, as shadows in the background slowly become more real, with television newsreels reminding you of events that have happened in London over the past years. I guess that some people do not like to feel frightened, however lightly, so this show will not be for everyone, but I enjoyed the feelings of mild paranoia that I was given and I found it interesting to think about why some of the scenes made me feel uncomfortable.
The opportunity to experience running away backwards from an evil clown, while Nigel Farage rants on about the iniquity of our immigration system, is one that does not occur regularly – and although this was a memorable part of the show, it was by no means the most disquieting, so if you think that this is something you might enjoy, you need to take the chance now, while it is here.
I would suggest that you should not go if you find strobe lighting a risk or if you suffer from coulrophobia. I have to say that I thought that this was a really interesting experience. I hope that Dries Verhoeven brings other events to London and if he does, I fully intend to visit them.