Categories
Restaurant review

Jackson & Rye, Wardour Street, Soho, London

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This restaurant looks fantastic. When you step inside from the hectic lunchtime crowds on Wardour Street, it feels like you have walked into a vintage upscale diner in Midtown, New York. It has dark wood, leatherette banquettes, soft lighting and brass rails. The menu is high end American comfort food too – there is lots to choose from. The a-la-carte is relatively expensive, I guess we are right in the heart of Soho, but it has lunch and brunch special menus that look very good value.

The salt and pepper squid was great as a starter. We also had tomato soup which came lukewarm, but was delicious after we had it reheated. The hamburgers and fries were really good too – meaty and well cooked.

The cocktails were a bit more mixed in quality, the whiskey sour was not sour enough for me but the margarita was good and the martini excellent. It is a shame that they had no bottled beers that we had ever heard of on the menu and that the only draft beer was unfiltered.

The service was good and although we lingered over lunch, we were never rushed. All four of us enjoyed our lunch in Jackson & Rye and I would happily return.

Categories
Theatre review

The Donkey Show, Proud Camden, London 2016

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In this version of A Midsummer Night’s Dream, the forest outside Athens has become a 1970s disco. Oberon, the king of the fairies, is the nightclub owner, Titania is his main squeeze and the fairies are a troop of Muscle Mary disco dancers strutting their stuff on raised plinths and around poles.

Puck is a roller-skating drag queen narrator and the 4 star crossed lovers are punters in various states of alcohol and drug fuelled confusion. I was amazed at how well the setting fitted the original play.

All of them sing their parts (no lip synching here) to classic 1970s disco tunes while interacting with the audience and getting increasingly out of it as the night goes on.

It’s camp, it’s brash, it’s rude and crude, its funny and it is great fun. London needs a camp, frothy, boisterous night out as a tourist attraction and this could be it!  After all,  “Beach Blanket Babylon” has run in San Francisco for over 40 years now and is still going strong.

Leave your inhibitions at the door and be prepared to party.

This is the best rowdy, rollicking night out in London this summer!

Categories
Theatre review

The Deep Blue Sea, National Theatre, London 2016

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This is a play that will stay with you after you leave the theatre. Terrence Rattigan is the ultimate playwright if you wish to see quiet desperation. It starts out by seeing the bitter humour in a suicide attempt that fails because the money in the meter ran out and it gets darker from there.

Hester Collyer is surely one of the best parts written in the 20th Century and the anguish that Helen McCrory has seeping through her “stiff upper lip” is palpable.

We see the easier options that she has available to her, yet we also understand why she chooses not to take them. There is lovely interaction between her and Peter Sullivan, who plays her estranged husband. It could be so tempting to go back to him, but it would not be honest. On the other hand, her love for Freddie will ruin both of them in long term.

In the end, she is strong and does not take any of the easy ways out, but I have to say, this is one of the saddest happy endings you will ever see.

Categories
Theatre review

Hobson’s Choice, Vaudeville Theatre, 2016

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This is the centenary tour of Hobson’s Choice, but I have to say that it doesn’t show its age. Martin Shaw is very good in the title role, it requires a blustering, exaggerated performance and you can see he is enjoying himself here.

Really though, the play is all about Maggie. Naomi Frederick is excellent, she plays it totally straight and carries it off perfectly. Bryan Dick puts in a great performance as Willie, his transformation is both funny and credible.

The sets are relatively simple but beautifully made, and the direction is uncomplicated. They allow the real stars of the show to shine through and they are the words. It is a fantastically written comedy drama, with great individual lines and genuinely funny characters. It is easy to see why it is still regularly produced even one hundred years after it was written. This is a production by people who really love Harold Brighouse’s play and that care shines through on the stage.

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Gigs

The Comedy Loft, Camden, London

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The Comedy Loft in Camden has got lots of things going for it.

It serves food; burgers, nachos, chicken wings, falafels – we ate and it was good quality.

The drinks are reasonably priced for central London – and you can pre-order them and have them delivered to your table during the intervals. Very sophisticated!

The show starts at 8pm, which is enough time to get a couple of drinks and chat before the start.

The 8 o’clock start means that the crowd is still restrained enough for the performers to deliver their acts without having to shout over drunks and sober enough that if there is a heckler there is a chance that they might be funny.

The reception and service were the best I’ve ever had in a comedy club.

The comedians were funny – that’s always good in a comedy show.

Finally, if after all this, you still haven’t had good night; it’s in Camden, so you are very likely to get offered drugs on your way back to the tube!

 

Categories
Film Review

Money Monster (dir. Jodie Foster) 2016

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Money Monster is a gripping thriller that will keep you entertained for an hour and a half. It is a Hollywood hostage movie set in a New York television studio. It has a big name cast; George Clooney and Julia Roberts are both on top form, as an irritating TV show host and his producer. Jack O’Connell is also excellent as the hostage taker. It is directed by Jodie Foster, who does a good job subverting expectations in a genre that the audience will know well.

The script and character development are fantastic, because although all the main protagonists have flawed personalities, over the course of the film, we are given an insight to their humanity and motivation. This means that we have sympathy with all of them to some degree.

Money Monster is funny, surprising and knowing. It is also nicely subversive from Jodi Foster because all the men in the film are the brash, sensationalist types getting all the attention and the women are the ones who quietly get things done.

Don’t go to this movie expecting insights into the world of financial markets, or the effects of the 24 hour news cycle on society. Go expecting pure light entertainment, for that is what it delivers

Categories
Gigs music

Rising Stars at 229 The Venue, London

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Rising Stars is a showcase for up and coming music artists. The events are organised by Time Out and take place in famous venues around London.

On May 17th at 229 The Venue, Great Portland Street, the bands I saw were: Emily Capell, David Stewart, Saint Agnes and Jackaman.

Emily Capell is a singer/songwriter with a good voice, witty songs and a good stage presence. Her songs are poppy and catchy and have a nice sing-along feel to them.

David Stewart has a really strong voice, writes clever (sometimes harsh) lyrics and has great delivery. He exudes confidence and appears very relaxed on stage.

Saint Agnes are a prog rock, riff heavy band. Their songs were fantastic, great vocals, good harmonies. Their guitar riffs were excellent. They were visually interesting and really got the crowd moving. They got the best reaction of the night and I will definitely go to see them again.

Jackaman are an Indie rock outfit fronted by Lynne Jackaman who used to front St. Jude. They are on the rockier side of Indie and their songs and vocals are strong. Very enjoyable.

Rising Stars nights happen around London about 6 or 7 times a year. They are not expensive to get into and from what I have seen the music is always high quality. It is a great way of getting to see new live bands and a very good value night out.

The photo is of the band Saint Agnes

Recommended.

Categories
Theatre review

Funny Girl, Savoy Theatre, London

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This is Funny Girl without Sheridan Smith.

Funny Girl is one of my favourite films. There is no getting away from the fact that it is a star vehicle and I was worried for any understudy undertaking the role. It has big emotional songs that need a big voice and a big personality to fill.

Natasha Barnes has a remarkable voice and sings the songs brilliantly. She had the audience totally on her side and received a full standing ovation at the end. She seemed genuinely moved by this.

Darius Campbell’s singing is really good. The big set dance pieces are beautifully choreographed. Joel Montague is excellent as Eddie. The Savoy Theatre itself is an Art Deco chocolate box and has to be the prettiest in London.

All in all a good night out. (Get well soon, Sheridan!)

Categories
Restaurant review

Hawksmoor, Air Street, London

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Hawksmoor was a talented architect of the 17th and 18th century; probably not somebody I would choose to name a restaurant after, given the manner of his death.

However, the food here is high quality and well prepared. We all had steaks and they were all excellent. The set cuts on the menu seemed large (400g – the rib eye) but when I said this to the waiter, she offered us smaller sizes – or larger ones if we wished to share. The chips were delicious as was the spinach.

The wine list is comprehensive and the bottle we chose was very good.

The décor is low key, art deco. The restaurant is cleverly laid out because the surprisingly large room still manages to feel quite intimate. The service was perfect; always nearby but never obtrusive.

It is quite expensive, even for London, but the experience was distinctive, right from going through the door and it does deliver value for money.

Categories
Theatre review

The Play That Goes Wrong, Duchess Theatre

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I have to say that I felt a bit sorry for Cornley Polytechnic drama, after all the rehearsal and effort that went into the production, that they should have a night like this.

I suppose that we could have guessed it wasn’t going to be their night when the dog went missing even before the show began! However they struggled on manfully and the understudy that came on for Constance after she was knocked out did very well ……. considering.

If I were them I’d probably sack the sound engineer, I mean how much can he know about sound, given his love of Duran Duran.

I applaud the cast for (mostly) making it through to the end of the show unscathed.

I’m going to recommend that you go to see this production because they surely could never have another night like this. The acting was brilliant, with hand gestures and everything, and I’m sure that once they get their difficulties sorted; there is a wonderful murder mystery in there, just waiting to come out!