Tag: London

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London City Airport, Silvertown, London

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If you are going for a short getaway, this is the place to fly from. It is 20 minutes on public transport from London Bridge to the check-in desks, and it is even less from the city. Once you arrive, unless you are unlucky, it will be no more than 10 minutes from station to airside. This airport really shortens your travel time, important if you are only having a few days away.

When you check in, try to get a window seat because the views of London from take off are spectacular.  The runway is straight in the direction of the city and the planes fly relatively low over town. This provides passengers with a better prospect of the London skyline than the London Eye, The Shard and the Skygarden combined.  If you are lucky enough to have an evening flight arriving into the airport, on your return, you will have an added bonus of the approach into London’s glittering city lights and the glistening river Thames. The takeoff and landing views are worthy of being a London attraction all by themselves.

All in all, London City Airport provides a truly premium experience and should be considered, if you are visiting London and planning a short side trip away.

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Restaurant review

Brasserie Blanc, Trinity Square, London

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The view from this member of Raymond Blanc’s brasseries is spectacular, from your table you overlook the crenellations of the Tower of London, with Tower Bridge in the background.

We ate from the Fixe Price menu and found the fare a little more average. The beetroot salad was nice and the soup good, but only lukewarm, we considered asking for it to be reheated, but in the end did not.

The mains were ok. My steak was good but small, the Beef Lyonnais were a little less tender than amazing and the cod was reportedly delicious after we had sent it back to be reheated.

The apple crumble was the highlight of the meal. the apple retained its consistency beautifully and the crumble was perfectly crisp and short. The chocolate pudding was also nice but once again had to be sent for reheating, as it was cold in the centre.

The waitress was excellent; very helpful and quite attentive, she brought us small glasses of the rose wines to try when we enquired about their flavours. The wine list looked very good, by the way, and not outrageously priced for central London.

Overall, this restaurant is decent, but go primarily for the view and you will not be disappointed.

 

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Theatre review

An American in Paris, Dominion Theatre, London, 2017

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Everything about this production is spectacular.

The 1950 film, on which it is based, won 7 Academy awards. George Gershwin won one for the best score, the stage show takes this and adds some of the best of his back catalogue; “The Man I Love”, “But not for me” and “They can’t take that away from me”.  They are beautifully sung by Haydn Oakley and Zoe Rainey.

Alan Jay Lerner won the Oscar for best story. This has been kept with just a little more detail added. It also won the awards for best costume and best sets. The costumes here are beautiful, postwar in style and Paris elegant. The sets are wonderfully inventive, they could be Jerry Mulligans drawings brought to life. They are outlines of the Paris skyline being sketched on blank backdrops as they are moved into place, a beautiful concordance of the 1950s and the 21st century.

Wonderful as all of the above is, the real stars of this show are the choreography and the principal dancers. Robert Fairchild and Leanne Cope are both classically trained ballet dancers, he in New York and she in London. The dance routines are dazzling. The show opens with a 7 minute number where Fairchild arrives on the scene as Jerry Mulligan, full of vitality.  Cope’s part as Lise builds more slowly and she comes fully into her own in the second act.

The director and choreographer is Christopher Wheeldon. The final numbers of the show are nothing short of inspirational. “I’ll build a stairway to Paradise” is a classic 50’s, exhibitionist, camp show stopper. This is followed by the beautiful ballet inspired “An American in Paris” equally good, yet completely different.

This is a joyous reimagining of a classic Hollywood musical and, as you can probably tell, it stole my heart.

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Theatre review

Rosencrantz and Guildenstern are Dead, The Old Vic, London 2017

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“Rosencrantz and Guildenstern are Dead” is funny, thought provoking and enjoyable, all in a single package.

The 3 main actors are remarkably good. I was surprised at what a major part the Main Player is, and David Haig is perfect, giving the impression that he knows the meaning or the outcome, unlike anyone else, but is unconcerned about it.  Joshua McGuire and Daniel Radcliffe are a wonderful double act, McGuire having a great verbal delivery and Radcliffe conveying so much with looks, gestures and shrugs. They complement each other very well here.

The play itself is also a star. It really does not feel like a revival, it does not matter at all that it is over 50 years old, it is timeless. The light touch direction was just what the piece deserves, to let the writing itself shine through.

This is a very good production of an excellent play with simple direction in a beautiful theatre. What more could anyone want?

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Theatre review

Who’s Afraid of Virginia Woolf, Harold Pinter Theatre, 2017

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Who’s afraid of Virginia Woolf perfectly illustrates the difference between the questions “Was it good?” and “Did you enjoy it?”

This is a fantastic play, and a wonderful production of it. The acting was immense from all four characters. Imelda Staunton was as brilliant as you would expect, there is nobody better at making you understand the frailty of a dark, flawed individual, and she can change from a vicious harridan to a seductive, provocative vamp in the blink of an eye.  Conleth Hill was a revelation, he lives that part – how he can keep up that intensity for three hours per performance is incredible.

The direction is sparse, keeping you focussed on the people and the set is simple but effective. Three hours is long for such heightened emotions but the time flew by because of the compelling nature of the character interaction. However, it is comparable to watching a car crash in slow motion because, the farther you move into the play, the stronger the realisation becomes – that there can be no happy conclusion here. The only option is to sit and watch in morbid fascination, to see just how bad the casualties will be.

So, I did not enjoy it very much, it wasn’t written for enjoyment, but this does not prevent it being one of the best plays on in London at the moment.

The audience really appreciated their effort, it is a rare thing these days to see the whole audience stand in ovation from curtain down, but they did here, and this was truly deserved.

If you get the opportunity to see this production, I recommend that you gird your loins, prepare yourself mentally, but definitely go.

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Attractions Buildings

BFI Imax, Waterloo, London.

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The building itself is quite cool. Its an eight storey, circular Perspex edifice with gigantic posters trailing the latest blockbuster alternating on the outside.

The sound is excellent, both in terms of volume and quality. You may want plugs if you have sensitive ears, they definitely have it turned up to 11, but the system is up to it and the quality is good even at that level.

The screen is vast, the largest is the UK, 540square metres of it. The 3D quality is fantastic for those films made for it, in fact, some specialist films can only be seen at their best in an IMAX cinema. However for normal 3D films the quality is only a little better than your normal multiplex. Actually to be accurate it is better in the centre of the screen but can seem a little blurred at the edges. However the experience is far more immersive because of the size of the screen.

It is not cheap, our tickets were over £20 each last time we went. The seats are not comfortable enough to sit through a full movie easily. There seem to be too few toilets for the size of the venue, each time we have gone the queues have been long before and after the film.

However having said this, it is a unique experience and it is worth going at least once to see either a made for IMAX film or a big 3D blockbuster.

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Theatre review

Anyone Can Whistle, Union Theatre, 2017

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Anyone Can Whistle at the Union Theatre is an ebullient production of a lesser known Sondheim musical. Originally performed over 50 years ago on Broadway, it is certainly one of his shows that deserves a second hearing.

The storyline is quirky, this production brings out the humour and mayhem very nicely.

It has some great characters; Felicity Duncan is excellent as the power hungry, desperate to be loved politician, Rachel Delooze and Oliver Stanley are both very good as the lovelorn fake investigator and the fake doctor, and their final duet “With so little to be sure of” is a thing of beauty.

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It is packed with fantastic classic Sondheim songs: “Me and my town”, “There won’t be trumpets”, “Parade in town”, “Everyone says don’t”, “Anyone can whistle” and “With so little to be sure of” are all from this show!

The ensemble here are great, the stage can seem a little packed at times, but this works very well for the chase scene and the dance numbers are filled with energy and inventiveness.

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With all the talk of political madness and fake news, the time is right for the revival of this wonderful, undervalued musical and I thoroughly enjoyed this production.

This is a show that is not revived often enough, you should go to see it while you have the opportunity!

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Books

Sense and Sensibility, Jane Austen, 1811

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Jane Austen was one the early successes of the self-publishing phenomenon. Sense and Sensibility was her first novel to be published and she underwrote the not inconsiderable costs of the first print run of 750 copies herself. Luckily they all sold and she made a reasonable profit.

Sense and Sensibility is a romantic novel about the coming of age of two sisters at the end of the eighteenth century. It gives a very good insight into the manners and the lives of the rich and of the upper middle class of that time.

This book is easy to read, it eschews the flowery, verbose writing of the time and is succinct and to the point. It is surprisingly funny; Jane Austen pokes gentle fun at the attitudes of her characters and she demonstrates very cleverly, how they convince themselves of their prejudices.

I enjoyed this book as well for its historical information on London. I loved that it is possible to tell which areas and streets were fashionable and which ones were more racy, in the 1790s, by the characters that lived there.

The language has changed slightly in the 200 years since it was written, but Jane Austen’s thoughts are simply put, so the differences are interesting to notice rather than difficult to understand. A case in point is the word sensibility in the title; this is a word that not much used any more, we would be more likely to use the word sensitivity, these days.

As an introduction to classic writing of the late 18th century, Jane Austen is as easy and enjoyable a venture as you are likely to find. I am looking forward to reading her next novel, Pride and Prejudice, and to watching a film adaptation to this one.

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TV

Spaced (1999- 2000) Channel 4

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Spaced is two series worth of London slacker comedy.

It was written by Jessica Hynes and Simon Pegg in 1999 and 2000 and is crammed full of references to popular taste from the time. Hynes and Pegg play two early 20s  flat hunters who must pretend to be a couple in order to get the only flat in North London that their meagre incomes can afford.

It is very funny, well written with great dialogue and fantastic characterisation. Not only do you come to love Daisy and Tim, played by Hynes and Pegg, but you also become attached to the bizarre friends and acquaintances that inhabit their lives.

It was brilliant when it was first aired and it is a testimony to their writing that almost 20 years later that it is even better now. All the references and homages to 80s and 90s pop culture, give the series an added dimension of nostalgia.

This is the ultimate British millennial (not) coming of age comedy.

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Restaurant review

Blue & Orange, Thornton Heath, London

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Every area should have its local great restaurant, and for Thornton Heath, this is Blue & Orange. I live in Thornton Heath, so I have visited this restaurant many times. For me, it is the best and most reliably good restaurant in South London.

The food is always excellent, we have eaten from all parts of the menu and it is consistently very good. The menu is varied with an Eastern Mediterranean inclination. The Borek is excellent as a starter and the Kulbasti is a fantastic main course. They also do pasta (the chicken liver tagliatelle is delicious), pizza and various hamburgers.

The chilli sauce is made on the premises and is really good – it is worth the trip for the chilli  sauce alone!

Blue and Orange is fully licensed, the house beer is Efes. I have noticed recently that they are serving lots of cocktails with dinner, although to be fair, I haven’t tried one yet. It is open all afternoon as well as at night, so it is handy if you are looking to eat early or to have a late lunch.

It is probably worth ringing ahead to book if you are intending to go at peak times as it is usually pretty busy at night.

Heartily recommended!

Try the homemade chilli sauce!