Tag: London

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Theatre review

The Host, National Youth Theatre of Great Britain, The Yard Theatre, London

The Host

“The Host” is an up to the minute play, set in a council block in Croydon. Nominally about refugees and our response to them, it is also about the meaning of family, and about cultural identity.

It is a well written play with colourful, but current, language. It is excellently performed by the 5 member cast. Rebekah Murrell and Zakary Douglas-Zerouali have a great chemistry as the two leads Yasmin and Rabea. Rebekah plays Yasmin with a nervous intensity, full of (mostly) repressed anger. This is balanced well with Rabea’s more resigned accepting nature.

Nessah Muthy, the playwright, is on this year’s BBC new talent hotlist. On this form, you can see why, although some of the issues felt unresolved, and the finale felt a little like the end of the first act, the script is good and she has a great ear for the rhythms of conversation.

The set and direction are good, the messy, claustrophobic flat is simply set up and, having the offstage cast on view at the back made us feel that we were never far from our neighbours.

This is the final play in the National Youth Theatre of Great Britain’s enjoyable East End Season at the Yard Theatre. I hope they repeat the idea next year.  However, they are doing a revival of “Zigger, Zagger”, the play about football hooliganism at the Wilton’s Music Hall early next month. I am looking forward to seeing it!

 

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Theatre review

Blue Stockings, The Yard Theatre, London E9

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It is a shocking fact that women were not allowed to graduate from Cambridge University until 1948. This play is set 50 years earlier and concerns four ladies who attended Girton College, Cambridge at the end of the 19th Century. It is a well written and cogent drama about the beginnings of the women rights movement. it gives voice to all points of view at that time, ranging from those who believed that education would distract women from being good wives to those who thought that noisy demonstration calling for immediate emancipation was the only way forward.

The Yard is an interesting theatre space, the seats are close to the action, but the wide stage and high ceilings make it very open. I really like the apparent simplicity of the direction, schoolroom projectors set the scenes, blackboard writings mark us as being in a classroom, a pictures of an orchard or Van Gogh’s night sky move us outdoors. This is inventive and effective.

The quality of the acting is very high and there are nice performances even in the smaller parts. Mischa Jones is fabulous as Tess, she brings a nice balance of intelligence and innocence to her role. Laura Trosser has a great part as Miss Blake, resolutely playing the long game in the fight for equality and she plays it perfectly. I really liked Quinton Arigi as Will, whose position changes as the story develops.

Blue Stockings is part of the National Youth Theatre of Great Britain’s East End season at The Yard Theatre. It is a sterling production of a very good play, in an engaging venue. I will be looking out for more Jessica Swale written plays. It has also made me look forward to seeing the next play in the season, “The Host” and their revival of “Zigger Zagger” at the Wilton Music Hall, next month.

A thoroughly enjoyable evening. Recommended.

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Theatre review

Apologia, Trafalgar Studios, London

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I went to the first night of the previews. I really enjoyed it. The action takes place over an evening birthday party and the morning after. It was a little slow to get started but after that, the first act is good; the script is funny, arch and sharp. It appears to be a play about nostalgia for the idealism of the 1960s and children with abandonment issues. However, the second act is transformative, I love how it turns your perspective on its head, we get to know the characters better and see their motivation differently. The play is really about women’s place in society, whether this has changed over the past 50 years and about the price people are willing to pay for attempting to bring about change.

The direction is simple, Jamie Lloyd lets the words speak for themselves. The set is clever, the stage is framed like a picture or perhaps the old photograph given as a birthday gift.  The whole cast is good, but this play is really about the women, Laura Carmichael and Freema Agyeman are both outstanding and Stockard Channing is amazing.

The writing is great and I will be looking out for other plays by Alexi Kaye Campbell. I guess there will be a few tweaks before the general opening, but it got a full standing ovation on the night I went. I hope the critics like it as much as I did and that Apologia is a huge success.

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Theatre review

Hamlet, Harold Pinter Theatre, London,

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Hamlet is a play that has been done so many times in London over the last few years, it seems to be the role that every major star wants to do, to prove their worth. Well, this version, directed by Robert Icke and starring Andrew Scott is, without doubt, the best of them.  The direction is wonderful, it makes the play feel current and relevant to today. I love the use of technology; the ramparts on video cameras, the war coverage on a 24hour news station,  the paparazzi at the wedding.

Andrew Scott is a fantastic Hamlet, hurt, sarcastic and sardonic, he speaks every line as though he is having difficulty putting the depth of his feelings into words. The words are 17th century but his delivery of them is 21st century psychoanalytical. The modern setting brings out humour, in his lines, that was previously hidden and it makes his cruelty towards Ophelia and his mother, all the more harsh.

Derbhle Crotty plays Gertrude, as a worried caring mother, a bit frivolous and taken in by the attentions of her late husbands brother. I liked the chime in accent between her and Hamlet, it emphasised their bond and highlighted his reason for feeling betrayed by her.  Angus Wright is wonderful as Claudius. In this production he is a modern Machiavelli, concerned with approval ratings and how the public would feel if he prosecuted Hamlet for the death of Polonius. He is the ultimate politician king, bland and reasonable while plotting death. It makes one realise how little politics has changed through the centuries.

Peter Wight is great as Polonius, usually played for laughs, but here he is a family man, desperately trying to enhance the lives of his children by means of his diplomacy. The affection between Laertes, Polonius and Ophelia is underlined in this production, and the sense of loss is deeper because of it. David Icke is not afraid to take risks, I am not sure about the Bob Dylan songs, bringing 1960s music into such an up to the minute setting jarred a little, but Rosencrantz and Guildenstern work very well as a romantically involved couple and why wouldn’t one of them be female. I am looking forward to the Tom Stoppard update.

The finale is deliberate, each character allowed their own time. Horatio is solicited to tell the tale, but it has all been recorded on video, so it will be available for the news channels to package and present, from all points of view, for years to come….

This is a fantastic production, it has a month left to play, London theatre at its very best.

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Days Out gardens

Streatham Common, London, SW16

 

Tree, Streatham Common

Streatham Common is an attractive green space in South London. The grass on the Northern and Western section is maintained and dotted with trees. It looks very pretty sloping upwards towards the rookery from the A23. On summer weekends it is quite busy with people, flying kites, having picnics or just chilling out. This area of the park often has events running when the weather is warm. An interesting one booked for September is “A Midsummer Night’s Dream” performed by the world first cycling theatre company!

Path, Streatham Common

 

The eastern side is left in a more natural state. It has been designated a local nature reserve and it has many oak trees and some beautiful old cedars. Where the western part meets the east there is beautiful formal garden called The Rookery. A mineral spring was discovered here in the 1650s and was visited by royalty to take the waters. Streatham was a very fashionable out of town location in the 19th century and the Rookery Gardens are kept as they would have been in those days. There is a rockery with a pond, lovely herbaceous borders, and it has an ornamental stream running through it.

Camellia, Streatham Common

The Rookery Café is outside the wall of The Rookery just on the border between the maintained and more natural parts of the common. It is a well run café, serving hot and cold food. There are seats outside with big views to the west and south.

Trough, Streatham Common

 

The Common is surprisingly large – over two kilometres along the perimeter from its northwestern corner to the northeastern one. As you head farther east, the park becomes part of the borough of Croydon and is known as Norwood Grove, although historically, it has always been part of the Great Streatham Common. There is a nice 19th century house here, inside the park, Norwood Grove House, although it is known locally as the White House. This also has nicely laid out gardens and pretty, if urban, views out over Croydon.

Dog Walker on Streatham Common

Streatham Common is a well used park, surrounded on all sides by houses. There are joggers, dog walkers, parents with buggies, yet it is big enough to avoid feeling crowded.   It is on the Capital Ring, which is a 120 kilometre walk around London, broken up into 15 smaller sections. This is a surprisingly green and traffic light walk for such a large metropolis. The park itself is a varied and interesting area with lots of different types of scenery, I would say that it is certainly worth a visit if you are in South London on a sunny day.

Streatham Common

 

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Theatre review

Our Ladies of Perpetual Succour, Duke of York’s Theatre

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Six catholic schoolgirls in uniform arrive on stage to sing a hymn, Mendelssohn’s “Lift Thine Eyes”. They have angelic voices, it is beautiful. After the song they begin to talk, the language is sinful and the subjects are carnal. The juxtaposition is funny and moving.

This play is the story of their day trip to Edinburgh to sing in a choir competition. Over the course of this twenty four hours they meet various characters from the places they visit. These characters are played by the girls themselves and this combined with the strong accents and dialect made following the action hard work in places. However, the script is witty and coarse and the singing is fantastic, especially the classical pieces and hymns. Many of the rock songs are Electric Light Orchestra covers.

Our Ladies of Perpetual Succour is a well observed play. It is insightful, in that it makes us aware of the difference between the world that their convent schooling is preparing them for and the actual world that they will inhabit when they leave. This play makes you question how qualified ecclesiastic schools are at preparing children for a life in a secular society.

An entertaining and thought provoking show, with a very talented cast. I am sure we shall hear of many of these actors again.

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Film Review

Victim (dir. Basil Dearden) 1961

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Victim is a classic movie in so many different ways. It is a great representative of the black and white, crime thriller, genre of the early 1960s. The storyline is good, it is well told and the suspense will keep you interested right until the finale.  It is a fantastic British movie, made in the Pinewood studios with high production values. It has all the hallmarks of British film making at the time. The dialogue is clipped and the characters are bristling with repressed emotion.

It has a wonderful setting with splendid views of London just before the start of the swinging ’60s. St Martin’s Lane and Cecil Court are still recognisable, with Oliver! playing at what is now the Noel Coward Theatre. There are also nice shots of Millbank, Soho and the Thames. The pub scenes were filmed in a real pub, The Salisbury, on the corner of St Martins Lane, which was a gay pub until the 1980s. The pub is still there today and still has the Victorian fixtures and fittings seen in the film.

 

Victim has a courageous and dashing performance by Dirk Bogarde who risked his matinee idol status by taking on such a controversial role. He was a male romantic lead, so playing a man with homosexual tendencies, constrained though they may have been, would have put this career in jeopardy. He is excellent in the role and apparently he added the line “I wanted him!” which almost had the film banned. Sylvia Syms puts in a good performance as his unfulfilled wife, wavering between hurt and compassion. The whole cast is excellent and there are recognisable faces throughout the film.

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This was a shocking film when it came out in 1961 and it almost did not get past either the British or American censors at the time. It was the first film to use the word homosexual and it was the first mainstream movie to allude to it in a non negative manner.  It was this, that made it a danger to public morals and gave it the X rating that it received when it was released. Homosexuality is not the direct subject matter, but a blackmail ring that was targeting the frequenters of a gay pub. This was a common occurrence at the time as homosexual relations were an offence that could land one in jail and would certainly ruin a career.

While this film, itself, did not advocate gay rights, its sympathetic portrayal of some gay characters allowed the conversation to begin and this will have helped to bring about the change in the law six years later. Victim often appears in lists of all time greatest films, and it was certainly a brave and groundbreaking piece of film making.  Whether you are interested in the history of cinema, or the history of gay rights then you should see this movie. It is being shown currently at the BFI on the south bank as part of the gross indecency season, celebrating the 50th anniversary of the partial decriminalisation of homosexuality in Britain, but it very often included in retrospective seasons of gay film, British film, or classic crime thrillers.

Of course, most importantly of all, it is a very enjoyable film to watch!

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Theatre review Uncategorized

Girl from the North Country, Old Vic Theatre, London

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Girl from the North Country contains three or four intertwining stories. These are slight, almost sketches really, but are beautifully told so that we care about the people we see on stage. It contains about twenty songs from Dylan’s back catalogue. These are used, in  an abstract way, to accentuate the drama rather than to move the narrative forward. It would be misleading to call this a musical, it is more a play with musical accompaniment.

The prose and the songs complement each other very well. Given the quality of the cast, the strength of the acting is no surprise. The singing, orchestration and choreography are the revelation. There are some amazing voices in the ensemble. Shirley Henderson and Jack Shalloo, in particular, shock when they sing, but every song is delivered well. The impact of a downtrodden, beaten character suddenly opening their vocal cords is not to be underestimated. Even the songs that I already knew, appeared to be given new life in the context of the play.

The reception of the audience was good, it is not too often that the whole audience stands at the end. I enjoyed this show, Conor McPherson and Bob Dylan are a combination that go together very well.

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Buildings

Clapham Junction Station, London SW11.

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Whether you are travelling from Brighton to Basingstoke, Mortlake to Milton Keynes, or from Hove to Harrow, Clapham Junction Station is your friend. With around 2000 trains a day going through, it is the busiest station in Europe. It is also the busiest in the UK as an interchange with close to half a million people changing trains here per day during the week.

It is not particularly pretty, nor is it as architecturally interesting as some of the other main stations in London, but it is efficient. There are 17 platforms and there is an underpass or overhead concourse to travel between them. Personally, I like the tunnel, old and busy with shops and food vendors, as the means of movement, but it does get crowded at peak times and there are no escalators or lifts, so stairs are the only way down. The raised pathway has lifts and it is more modern. It is also brighter and it feels less claustrophobic at peak times.

Surprisingly, Clapham Junction is not connected to the tube, but it is served by many buses and has parking for a couple of hundred bicycles. Should you require step free access, make sure that you are dropped off at the Brighton Yard entrance, rather than the shopping centre side in Grant road.

Time Out Online has Clapham Junction Station listed under “things to do”. I’m not sure that I would go quite that far, however, if you spend any time travelling around in London, you are likely to change trains here. When you do, it is worth taking a moment to think about the number of trains and people going through, and then marvel at the level of competence required to run, what is effectively, one of the biggest train sets in the world.

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Attractions Days Out

Madame Tussauds, Marylebone Road, London

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I had forgotten how much fun Madame Tussauds could be. You have to let yourself go, embrace the kitsch, accept the corny, give in to your inner child and play! You are going to realise that enjoyment is a conscious choice as soon as you sit down in the black cab fairground ride that takes you through a potted history of London. If you disapprove of touristy romanticised attractions you should avoid coming here; where even the rats are sanitised. But, if you are new to London, looking forward to what you are going to see over the coming week, then I can see its allure.

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I like how hands on everything is, you can take a selfie with Kim Kardashian, put your head on George Clooney’s shoulder or even look up Marilyn Monroe’s billowing skirt, if that is what takes your fancy. It’s good to go in a group, it’s always fun to discuss how short Tom Cruise is,  how tired the Queen looks, or to try to get your Mum to pinch John Wayne’s bum.

the queen

The crew that work here are friendly and helpful, happy for you to get up close and personal with the figures and to take a photo, if you ask. They are chatty and will share an anecdote, one guy told me that they sometimes have to remove left knickers from Brad Pitt’s mannequin.

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Madame Tussauds is not cheap to visit, but it is possible to get deals, either with your train ticket or as a combination with other London visitor attractions. It is definitely worth looking for these online, you would be very unlucky not to find a coupon somewhere. It is also prone to get very busy, queueing to get in and get around is always a mood dampener, so if you are here in the height of the season try to go early in the day or late in the afternoon. They sometimes have evening openings, look out for these as they are often quieter.

Shrek

There are waxworks from every walk of life here; film and pop stars, historical and political people, sports and science specialists. So if you want to kiss Kylie, hug Hawkins, shimmy with Shrek or berate Boris; this is the opportunity, all you have to do is lose your inhibitions…..and make sure you take a photo!