The National Youth Theatre’s production of Jekyll and Hyde is a deconstruction of the original novella by Robert Louis Stevenson, rebuilt with a modern feminist twist by writer Evan Placey. Combining Victorian settings and morals with modern day language and values adds a new dimension to the duality theme of the story.
The decision to have a female Jekyll is not only brave but astute, and this production perfectly captures the zeitgeist with the discussion about sexism in film and theatre so much in the news. The writing is forthright, the jolt of the coarse language spoken by the Victorian ladies near the start of the play becomes clear in the second act, there is no doubt that Evan Placey is a talented author, of whom we will hear more in the future.
Aside from the writing there is much to recommend in this production. The acting throughout is accomplished. Jennifer Walsh in particular is excellent as Florence, a young adult coming to terms with the fact that although no one else is going to stand up for her, she has the power to stand up for herself. Elizabeth McCafferty confidently makes the transitions between Jekyll and Hyde both striking and convincing. Mohammed Mansaray has a funny scene as a priest, which he delivers very well.
The direction is brisk and contemporary, so that even in the midst of 19th century London, we feel linked to the current day. The director, Roy Alexander Weise, is not afraid to be confrontational, daring to breach our comfort zone in order that we feel the characters’ anger. The costume design is remarkable and clever, the ensemble changes from church house to flop house in the blink of an eye.
Jekyll and Hyde has a few rough edges, but challenging, thought provoking productions like this are exactly the remit of The National Youth Theatre and I have to say that I thoroughly enjoyed this show.