The Bush Theatre has just had a big refurbishment. The first thing you notice when you arrive on a warm sunny evening is the new terrace and bar. It is the perfect place to meet people, as it catches the evening sun before the show begins. Inside, the bar area is sparse and pared back, there are not many places to sit here, but this is well designed to keep the area relatively clear, because as well as the terrace there is also the library room, a bright, airy seating area with books on the history of theatre on the walls.
The Bush has a tradition of putting on innovative and challenging new shows. There are now two theatre spaces, the main theatre holds 180 and the smaller studio 80. The main theatre is flexible with its set up and on the evening that I attended the stage was in the centre. It was set up as a house and we had to walk around the back of the house, past the back door and pink flamingo, to look in the front room. Every seat has an excellent view and your proximity to the performance makes you feel a part of the action.
They have some great pricing offers, one clever one is the “Count me in” deal – where you pay £10 in advance for the show, but your seat is not allocated until the day of the performance. The front of house staff and the bar staff are friendly and helpful. The Bush Theatre is a lovely asset to the local area and I look forward to returning many times in the future.
Hir is challenging and confrontational. In Paige Connor, Taylor Mac has created a 21st Century dramatic monster. Released from years of oppression and abuse by the happy accident of Arnold Connor’s stroke, she is using her new found freedom to wreak revenge on the world in general and her husband in particular. Ashley McGuire is exceptional as Paige, she exudes a logical, manic cruelty. Her youngest child is transgender and she uses the politics of gender fluidity like a weapon, which she swings to beat back the wrongs of a society that she believes kept her in thrall for the majority of her life.
Arthur Darvill is also good as Isaac, the eldest child. He is the foil, having come back from a war zone, he has tried the new world and wants things to be much as they were before he left. He tries to be the voice of reason but is left defending a damaged premise, this cannot end well…….
All four actors put in great, intense performances. The direction and the set are disordered, but this is by design and it suits the scattergun effect of the plays arguments, hitting out at any targets as they appear. There are many very funny, if bitter, exchanges. The dialogue is clever and angry. The subject matter captures the zeitgeist, it starkly points out challenges facing our changing society. The subtitle of the play is “Make America Punk Again” and it really does have a punk ethos, enraged and shouting about the state of the world, without finding, or even looking for, any solutions.
It is uncomfortable to watch, but be in no doubt, this is a great play.