Time Out offered me this special deal on tickets to see Pity at the Royal Court. They asked me to share the deal on my blog, as an experiment to see whether anyone clicked on the deal or if anyone takes up the offer.
The play looks quite interesting and the offer seems good, so I have agreed to do it as a one off experiment. I am away on holiday in July, so I’m going close to the end of the run in August. I bought the £12 tickets because the Royal Court is small and the view is good from every seat.
I hope you don’t mind this different type of post and I promise that this is a single time only, I am not suddenly going to be a site that bombards you with deals and special offers.
The Jerwood Theatre Upstairs holds less than 100 people and every seat has a good view of the stage. It is a small intimate theatre, although perhaps not intimate enough for the act that Jimmy and Jess assure us that they intend to carry out on stage during the play this evening. The set is pink, soft and fluffy, apart from the “Blind Date” style tall stools. Indeed, if Channel 5 were planning to have a competitive sex therapy show, they could come here for ideas.
The Prudes is a two hander about, Jess and Jimmy, a couple who have been together for nearly 10 years but who have not had sex for over a year. They are worried about the effect that this is having on their relationship and have come to the decision that they only thing they can do prevent their breakup is to have sex in front of us on stage tonight. We are not told how come they have reached this conclusion, but we are here now, let’s run with it.
What follows is a discussion about sexual politics, and how the #metoo movement has changed how we look at sex and power in sex. Jonjo O’Neill and Sophie Russell are excellent as Jimmy and Jess, they interact with the audience, they ask for affirmation of their most embarrassing confessions, they are funny and likeable and we can feel their warmth for each other through their difficulties.
The play is witty, it certainly captures the zeitgeist and it poses many questions that are brought to mind by the sexual harassment cases that have been in the news over the past months. I think we are still too close to the events to have a good perspective on how they will change our attitudes, and writer Anthony Neilson doesn’t even attempt to look for answers. This leads to a play that is enjoyable to watch but lacks a little punch in the consummation.
X is well written, daring and moving. It tackles big themes; futility, loneliness and emptiness. So, it is not exactly light entertainment although it does have some funny moments.
The acting was great, it needed to be, given the elliptical script. The direction was also really good, making the times when we could not see the stage almost as dramatic as when the lights were on.
I found the ending emotional and the play stayed with me long after I left the theatre.
Love it or hate it, I guarantee that you will not see another play anything like X this year!