Allelujah!, Bridge Theatre, London SE1

alellujah

Alan Bennett has consistently been one of England’s best playwrights over the course of the past fifty years. His last couple of plays have been well written and funny, but were a little too cosy to be among my personal favourites of his work. Having said that, everything he writes is at least very good and nicely droll.

Allelujah! is set in the geriatric ward of a hospital that is at risk of closure, and for most of the first act we are lulled into a gentle musical comedy about the hardships and indignities of growing old. However, towards the end of the act, things take an unexpected and darker direction and we realise that, during the first third of the play, the scene was being set for a biting political satire. Alan Bennett is cross, and this irritation has led to some of his best writing in years.

This is a play about how poorly we treat the aged in our society and it examines the reasons why this is the case, while entertaining us with smart one liners and whimsical song and dance routines. Nicholas Hynter directs the play, he is a long time collaborator with Bennett and he complements him well. The cast is big and there are many good performances. I particularly liked Sacha Dhawan as Valentine, diffident at first, but bristling with restrained anger by the end. Samuel Barnett is good too, he has an unlikable character to play, yet he manages to have us understand his motivation.

The play has so many scene changes that it might have been written for television. The ingenious set design prevents us feeling that the stage is in a constant state of flux. Arlene Phillips is the choreographer and she has a fine line to tread between keeping the routines tight and having us remember that these people are too old and unwell to be released from hospital – she does a fine job.

The real star of the show is the writing. I love Alan Bennett’s balance, he always presents both sides of an argument. Even when he is presenting a personal point of view, I admire his fairness in giving the other side a voice. He does this particularly well here, he writes some characters with quite unsavoury personality traits in this play, yet they are unapologetic and we understand that they feel justified in their actions, even if we cannot condone them ourselves.

I hope that I haven’t made the play seem too dark and political, because it is a truly funny and entertaining show, made all the better by the fact that it makes you think about the way the old and infirm are treated in our society. I think this is possibly my favourite Alan Bennett play yet.

 
 

Southwark Cathedral, London SE1

 

Wooden effigy of Unknown Knight
Reputedly the oldest wooden effigy in Britain

 

Literally a few steps away from the hustle of Borough Market is the calm oasis of Southwark Cathedral. It is a wonderful mixture of old and new. It contains a wooden effigy of a knight from the 13th Century, reputedly the oldest in Britain and its Northern cloister was opened in 2001 by Nelson Mandela.

Shakespeare

There are monuments and memorials from many time periods in between. There is a stained glass window and bas-relief dedicated to Shakespeare, his brother Edmund is buried here. The Cathedral is on the South Bank of the Thames where many of the theatres used to be in Shakespeare’s time.

 

Tomb of Thomas Gower
Tomb of Thomas Gower

 

There are tombs of quite different types, from the multi-coloured wooden one of the poet, Thomas Gower, a contemporary of Chaucer, to the more austere and eerie one of Thomas Cure, a 16th Century parliamentarian.

 

Thomas Cure
Tomb of Thomas Cure

 

There are memorials to those who lost their lives in both the first and second world wars, victims of the Marchioness sinking in 1986 and Isabella Gilmore, the first deaconess of Southwark. There are also monuments to both Nelson Mandela and Desmond Tutu.

Deaconess memorial

While you are here don’t forget to look at the fixtures and fittings in the building. The black marble font and outrageously ornate wooden cover, at the nave of the church is one highlight, the eagle lectern, near the altar is another.

Lectern

Added to all this is the architectural splendour of the Cathedral. There are details here from a whole range of different engineering periods. The vaulted ceilings in the main church are beautiful, but the marble bricked ceilings in the naves are equally so.

Sculpture
Walk through the church into the garden and you can sit in verdant peace, with the noise of the market in the background. There are a couple of unusual sculptures here, but the flowers are beautiful. An often overlooked gem in the heart of tourist London, just the place to dip in to, if you feel the need to step out of the boisterous city for a quiet break.

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