Swansea International Festival runs from the 22nd September to the 7th October this year. It has many interesting events, among them a stand up performance by Rob Bryden and a production of Gilbert and Sullivan’s “Iolanthe”.
The centrepiece of the Festival is a Welsh Commission for 14-18NOW called “Now The Hero” 14-18NOW have collaborated with various artists to make some very compelling pieces over the past few years, related to the centenary of the First World War. A particularly thought provoking event earlier this year was “Fly by Night” where thousands of pigeons with LED lights were released over the Thames at sunset.
“Now The Hero” is their final piece and it looks like another winner. It is an immersive musical/theatrical parade, starting in Swansea Bay and finishing with a choir recital in Brangwyn Hall in the city. It tells the story of three Welsh warriors from different time periods. There is an ancient Celtic soldier, a First World War conscript and a contemporary service man. There is also a voice for peace, with Eddie Ladd voicing quotes from protestors at Greenham Common’s women’s camp.
The music is a choral requiem written by Owen Morgan Roberts and Owen Sheers. It is based on a traditional old Welsh poem “Y Gododdin” and will be performed by Cambridge choir, Polyphony. Brangwyn Hall where the event finishes contains “The British Empire Panels” a work originally commissioned to be hung in the House of Lords but rejected by them as too colourful. It was notoriously described at the time by Lord Crawford as “all tits and bananas”, however almost a hundred years later it is regarded as a powerful commemoration of Welsh participation in the First World War.
This event will transform Swansea over the course of five days on 25th to 29th September and it looks as though it will be a spectacular highlight of the Swansea International Festival.
Other performances at the Festival are The BBC National Orchestra with Karl Jenkins and The Welsh National Opera doing “Rhondda Rips it Up” with Lesley Garrett and Madeline Shaw. So if you are looking for some art and culture at the end of September, Swansea is the place to be!
Trois Grandes Fugues is a simple but clever idea. Three different choreographers take the same piece of music, in this case Beethoven’s “Die Grosse Fuge”, and bring their interpretation of it, to the stage. I came to the show not knowing the music and uninformed with regard to the language of dance.
The three dances are all completely different. The first is the most traditionally classical in its form. Lucinda Childs has six couples investigate the geometric patterns in the music. The dancers are dressed in simple grey figure hugging body suits, the dance is graceful, formal, mathematical and balletic.
The next, Anne Teresa De Keersmaeker, has her 8 dancers, 6 men and 2 women, in dark suits with open necked white shirts. Formally dressed at first the jackets are removed and some of the shirts are opened as the dance moves on. Each dancer appears to be linked to different sections of the orchestra and they move across the stage, together or apart, each seemingly linked to their own particular instrument.
The final piece by Maguy Marin, has her dancers less formally dressed, in shades of red, and her interpretation is wilder, more emotional, and the four dancers emphasise the dramatic and canonical motifs. They follow each other round the stage in more staccato movements, showing the fierce energy and strife in Beethoven’s work.
I like Beethoven, usually his pastoral pieces are more to my taste, having heard this 20 minute work three times, each time I enjoyed it more, and I will look out for it, to listen to at home. I had a fantastic evening and I felt like I had been given an introductory lesson into both classical music and dance.
Out of the System, part of a three year project from London’s Dance Umbrella Festival, is curated by Freddie Opoku-Addaie and runs at Rich Mix 16-17 October.
Made up of three very different dance pieces, there is something here for all tastes. The first piece “Clay” is a flamenco based collaboration between two dancers and a guitarist, the dancing is fantastic, filled with action and humour. I loved the way the two dancers played off each other and the way they slowly drew the guitarist in.
The second is a more interpretive piece, evocative, using symbolist props and occasional filmed backdrop. I have to admit that some of the symbolism went over my head, but the dancing is eloquent and emotional.
The third “Ven” is a double hander, with two harmonious dancers intertwining to dance almost as one person, clever and moving. The trust that the couple show in each other is beautiful, a truly symbiotic relationship.
The evening is finished off with a live band, The Afrobeat rhythms of Yaaba Funk had the whole audience dancing. All in all we had a very interesting evening in a great venue. The London Dance Umbrella Festival is running at different venues until the 28th of October and with the standard this high, I am looking forward to the other nights I have booked.