Northanger Abbey was actually written in the final years of the 18th Century but was not published until after her death in 1817. Although it has similarities in style and content to “Sense & Sensibility” and “Pride & Prejudice” there are also some major differences.
It is a comedy of manners, but it is more a satire of the gothic novels that were fashionable at the time. So, it does make gentle fun of the contemporary styles of the day, but this book is more specific in its target than her first two novels. This is not to say that she is not just as funny when pointing out the differences between what is said and what is meant in genteel society at that point in history, but this is not the main thrust of the novel.
The story is laid out in the style of a gothic horror novel, with many things foreshadowing dark happenings in the imagination of Catherine, our heroine. These intrigues usually turn out to be much more mundane, such as her discovering that the scrolls found in the desk are only an old laundry list. The books mentioned in the Northanger Abbey are real novels that were popular at the time and, Austen’s knowledge of their content and style shows that, she must have enjoyed reading them herself.
Catherine Morland is much more the ingénue than the usual lead character in a Jane Austen novel, she takes longer to notice when people are behaving badly towards her. This gives the author the opportunity to write some particularly materialistic and vain characters, she is merciless and sharp with these.
This book feels much less a Regency romantic comedy and more the story of an imaginative 17 year old girl leaving home for the first time. Catherine comes of age by realising that the world she has read about in her books is not quite the same as the world she occupies in real life. This gives it a universal truth that is just as true today as it was when it was first written.
In conclusion, although Northanger Abbey, would probably not be my first recommendation as an introduction to the novels of Jane Austen, it is nevertheless, a fine book and worthy of its place as a classic of English literature.
Sense and Sensibility is a good film, but I believe that it is almost false advertising to call it by that name. The story is so changed from the book that, although the characters have the same names and the final result is the same, it is totally unrecognisable in places as the same story. Some quite major characters have been killed off. John Middleton is now a widower and their young child no longer in the story. Lucy Steele’s sister, who blabs the whole story if the illicit engagement, is not in the film. Hugh Grant is far too affable in character for the grumpy Edward Ferrars in the book. Alan Rickman too easily wins Marianne over after her disappointment in Willoughby. In fact, in this film, almost the least charming character is Willoughby, who in the book wins over Marianne, and her mother, by his easy false charm.
The acting is good, Hugh Grant and Alan Rickman are very good playing the romantic leads in a costume drama set in the 18th century. Emma Thompson is full of repressed emotion and Kate Winslett is fine as an impulsive teenager falling in love easily and recovering easily. Imelda Staunton and Hugh Laurie are wonderfully funny as Mr and Mrs Palmer.
There are some great moments of humour, the script has some wonderful lines. It is visually very attractive and there is much to admire in the period detail. A great deal of care and attention went into the making of this film and it shows throughout the movie.
It was nominated for seven Oscars. It won the one for best adapted screenplay. It was hugely popular and led to a revival of sales of Jane Austen’s novels and for these reasons it must be celebrated. I would probably have liked it more had I not read the novel itself so recently.
The film itself is most enjoyable but do go to see it as a Hollywood representation of upper class England in the late 1790s and not as a faithful adaptation of Sense and Sensibility, the book.
“It is a truth universally acknowledged, that a man in possession of a good fortune must be in want of a wife” is probably the most famous opening line to a novel in the whole of the English language.
Pride and Prejudice is one of the most loved books as well, it recently came second in a BBC poll of Britain’s best loved books and first in a major Australian poll of theirs. It was the second of Jane Austen’s novels to be completed and it is even wittier than Sense and Sensibility, her first.
Jane Austen gives a great idea of what it was like to be middle class in England in the late 18th century. She manages to portray the hopes and aspirations of the time, while gently poking fun at them. She has a fantastic talent for writing characters and, even though every one of them is slightly caricatured, we care about them despite their faults. She has a wonderful art of showing how people fool themselves into believing what they wish to believe, and this has a timeless quality, just as true today as it was over 300 years ago.
First and foremost, Pride and Prejudice is a romantic novel and there are 4 wonderfully different romances going on here, from the quite inappropriate, through the mildly shocking, to the wildly romantic and we have insight, as it also a comedy of formal manners, into how polite society looks upon them all.
The language is relatively concise, less of the longwinded descriptive prose that was fashionable at the time and more of the pithy epigram. It is easy to read, the story pulls you along, each chapter leaves you wanting to know what will happen next. The ending is wonderful and I’m sure this novel is at least partly responsible for the popularity of costume drama even today.
There are many good reasons why this is still one the most popular books written in English and, if you wish to become acquainted with classic English Literature, there is no better place to start.
If you like historic buildings and Art Deco furniture and style, then you will not find anywhere better in London.
Many of the Kings of England lived here, including Henry VIII. It was lovingly redeveloped in the 1930s by Stephen Courtauld. He restored the palace and added a new Art Deco house, decorated and furnished in the fashion of the time.
Currently it is in the care of by English Heritage. The circular entrance room is stunning and the art deco decoration and appliances are exquisite. The gardens are beautiful and have lovely views of the house and over London.
This is a fantastic day out within half an hour from central London.
The photos are of the house from the garden and a marble bath in on of the en suite bathrooms.