Colette (dir. Wash Westmoreland) 2019

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Biographical historical costume drama is a relatively specific genre of movie, but one that is in vogue at the start of 2019, with “The Favourite” and “Stan and Ollie” also getting UK release in January this year. Colette captures the zeitgeist in other ways too, it is about female empowerment, we watch Colette slowly grow in confidence and competence after entering Paris as a young ingenue, the wife of a powerful and authoritarian man about town. The storyline about gender fluidity and sexual freedom is timely too, as her relationship with Missy is treated in an honest and positive manner.

The film is set in Paris and Burgundy at the end of the 19th and start of the 20th Centuries. It concentrates on the early life of Colette, the time of her first marriage, which was to Henry Gauthier-Villars a renowned Parisian socialite. It ends with the publication of the first Colette novel, although she was successful and notorious throughout the rest of her life, she was even nominated for the Nobel Prize for literature in 1948.

The film is lovingly made and the dialogue is beautifully written, Wash Westmoreland obviously cares about Colette and admires her writing, the film is directed in a manner that reflects her style, unhurried and descriptive, although aside from a few double entendre witticisms the film is less racy than her books. Giles Nuttgens is the cinematographer – the rooms, houses and gardens all look lush and inviting. The acting throughout is wonderful. Keira Knightley gives us a great performance in the title role, we watch her grow in courage and independence as the film goes on. Timothy West is brilliant as Willy, her despotic yet hugely charismatic husband. A lovely combination of good writing and good acting makes you understand how this dictatorial man held sway over Colette’s strong personality for so long.

The cast is of the highest quality throughout. Denise Gough is wonderful as the convention defying Marquise de Belbeuf, Missy. She plays the part sympathetically and with gusto. She is shown as a major influence on Colette’s courage and bravura. Jake Graf has a nice cameo as Gaston de Caillavet and Fiona Shaw is lovely as Sido, Colette’s mother.

Colette is a beautifully made and beautifully written biopic about a strong revolutionary woman. It focuses on a specific period of her life and we get the story very definitely from her point of view, however as she herself says in the film “The hand that holds the pen writes history”. The film is uplifting, inspiring and enjoyable.

Imperial War Museum, Lambeth Road, London SE1

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London is blessed with a large selection of excellent museums and galleries. The majority of these are free. The Imperial War Museum in Lambeth is a good example of this. It is one of five Imperial War Museum locations in the UK, three of which are in London. Set up in the 1920s to commemorate the effort and sacrifice of Britain in First World War, it is now dedicated to the understanding of modern war, and confines itself to those conflicts in which Britain or the Commonwealth had some involvement.
The building is impressive, surrounded by the green lawns of Geraldine Mary Harmsworth Park, it is about a five minute walk from Lambeth North tube station. It has ionic columns at its entrance and an impressive dome. It also has its own interesting history, in the 19th Century it was the notorious Bethlem Royal Hospital, the psychiatric facility that allowed visitors to watch the inmates as public entertainment. It is this building that became the origin of the word bedlam.
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The museum is arranged over five floors. The top floor is the Lord Ashcroft gallery which has a large collection of medals awarded for bravery and the stories of many people who have been presented with them. It is an interesting investigation into the definition of courage and what inspires heroic acts.
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The fourth floor is dedicated to the holocaust and the rise of Nazism in the mid twentieth century. This contains a surprisingly in depth analysis of the political climate that led to the spreading of the ideology and a comprehensive presentation of its results. There is a scale model of the Auschwitz-Birkenau concentration camp, which really gives perspective to the magnitude of the crimes. This floor needs to be approached with care, the display is moving and distressing.
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The Third floor has an exhibit called Curiosities of War, which is a collection of unusual war related items. This is quirky and  comparatively light. The second floor is split between conflicts after WWII and a display about espionage. The recent conflicts exhibition is thought provoking, it brings current events sharply into focus. The spy section seems lightweight, I guess it is tough to say much about state secrets without giving those secrets away. This floor also holds a real size model of an atomic bomb, it is shocking how small it is.
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The two lowest floors hold the largest items, tanks, ambulances, rockets, large guns and planes….the remains of a vehicle that was once a car bomb. The descriptions of the items and the uses to which they were put is almost more interesting than viewing the items themselves.
The Hall of Remembrance, is a gallery that was proposed to be built containing artwork commissioned as a memorial to the war dead of WWI. The project ran out of money in the 1920s and was never completed. The Imperial War Museum holds all the artwork that was due to be shown in this gallery and has put it on their website in the form of a virtual gallery. This is a beautiful testimonial and well worth a visit, I have put a link here . 
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War is not entertainment and this will not be your jolliest day out in London. However, The Imperial War Museum is something that you really should visit when you come to the UK. It is wonderful that this city has such high quality resources and amazing that it offers them for free. The building has step free access and there is  parking for Blue Badge holders, but it needs to be booked. Recommended.